Thursday, February 5, 2026
A Mother-Daughter Journey: Crafting Heirlooms from the Heart
Monday, February 2, 2026
Nature’s Blueprint: Sculpting the Larimar Ring Through the Storm
| Original hand-drawn blueprint for the custom Larimar ring, featuring the signature "DV" initials and climbing vine motif. |
The Journey of a Custom Design
Every piece I create begins long before I touch the wax. It starts with a conversation. I believe that jewelry should be as unique as the person wearing it, so we begin by discussing your vision—the flow, the textures, and the story you want the piece to tell.
Phase 1: The Design
Once we have the design figured out through our collaboration, the "blueprint" is set. Because I work as an artist rather than a traditional jeweler, I’m looking for a design that feels alive and organic, moving away from mass-produced looks and rigid prongs.
Phase 2: Selecting the Soul
With the design finalized, we move on to finding the right gemstone. This is one of my favorite parts to share with a client. For a recent custom Larimar ring, I presented these three options:
Stone A, B, and C
By seeing the stones side-by-side on a clean palette, you can see the different "landscapes" within the Larimar. Whether you prefer a soft, misty blue or a deep, tidal pattern, this choice ensures the heart of the ring is exactly what you envisioned.
Establishing the "Riverbend" texture on the purple wax base using a constant-heat tool set at 450°.
The Foundation of the Bezel
With the stone selected, I moved into the most critical phase—creating the base ring and the bezel that will eventually secure this treasure.
| A look at the scale of the first hand-carved signature leaf against the 6.2mm Larimar setting. |
Sculpting with Heat
Using my constant-heat tool set to 450°, I began the meticulous process of shaping the purple wax on the mandrel. This isn't just a standard setting; it’s a hand-sculpted bezel to hold the Larimar gemstone.
You can see in the latest studio shots how the heat tool allows for pinpoint accuracy as I build up the "Riverbend" texture around the stone's seat. This high-temperature stability is what allows me to create such delicate, bark-like ridges that remain structurally sound for the final casting.
The Blueprint of Nature
As I work, I keep my original sketch close by. It serves as my map, reminding me where the signature leaves will sprout and how the vines will eventually climb to meet the bezel. Even at this early stage, the ring is no longer just wax—it's the beginning of a wearable forest.
| Refining the winding vines as they climb from the textured band toward the Larimar bezel. |
Final Phase: Prepping for the Caster
Now that the base, the bezel, and the intricate vine-work are nearing completion, the final step of the carving process is the official "DV" signature. Once that is carved into the wax, I will begin the prep work to send the model to my master jeweler for casting.
This preparation is vital to ensure that every organic detail—from the 450° heat-textured bark to the veins in the leaves—is captured perfectly when the purple wax is transformed into solid gold.
To be continued...
Wednesday, January 28, 2026
How It’s NOT Made - Rooted in Endurance
Built for the Wild: The "How It's Not Made" Philosophy
Most jewelry is designed for the jewelry box. It’s made with thin prongs, hollow stems, and fragile settings that ask you to pause. They tell you to take off your ring before you mount your horse, or to leave your necklace behind before you hit the trailhead.
We don’t believe in pausing.
How It’s Not Made
At DV Jewelry Designs, we’ve spent 20 years perfecting a process that the traditional industry won't touch. We don't "set" stones in fragile cages. We cast them in place. We sculpt 14k gold and sterling silver directly around the raw, organic edges of diamonds and gemstones, mimicking the way ancient roots grip the earth.
"Because your life shouldn't have to pause for your jewelry."
For the Climber & Hiker
You know the sound of granite against a ring. In a traditional setting, that’s the sound of a stone falling out. In a DV piece, it’s just another day on the mountain. Our organic twig and root designs are low-profile and solid, built to handle the grit of the trail and the pressure of the rock.
For the Equestrian
A lead rope or a heavy rein can bend a standard ring in seconds. Our "How It’s Not Made" approach ensures that your jewelry is as rugged as the spirit of the ride. No snags, no warping—just art that stays as strong as the bond with your horse.
The Endurance Standard
"Forged in the fire and anchored in gold, our designs are built to stay where they belong—on your hand, through every summit and every stride."
A Wax Artist’s Palette: The Alchemy of Hand-Sculpted Jewelry
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| My hand-sculpted palette of colorful waxes, each chosen for its specific hardness to build a foundation of strength and beauty. |
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| Precision in motion—using a heated tool to carefully "grow" the soft green and blue wax twigs around the rough diamond. |
| The completed 100% organic vision, where the twigs serve as the setting, locking the diamond in place forever during casting. |
My hand-sculpted palette of colorful waxes, each chosen for its specific hardness to build a foundation of strength and beauty. |
Wednesday, January 7, 2026
Cast-in-Place: How I Created the Organic "Floating" Rough Diamond Ring
Artist’s Note: The Fire off the Bench
"Creating a Cast-in-Place ring is not for the faint of heart. In this process, I don't just set the diamond after the ring is finished; I place the stone directly into the wax model and cast them together.
This means the diamond must withstand the intense heat of the molten 14k gold. It is a high-risk technique—not every stone survives the thermal shock. But for the ones that do, the reward is magical. The gold contracts as it cools, locking the stone in a permanent, organic embrace that traditional prongs can never mimic. It creates a bond where the stone and the metal truly become one."
— Dawn Vertrees
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| A one-of-a-kind "Floating Diamond" ring, featuring a 4.2ct rough diamond cast-in-place within 14k solid rose gold hand-carved leaves. The Fire & The Stone |
Large Floating Raw Rough Diamond Engagement Ring in 14k Rose Gold, Antiqued Finish.
Introducing our floating diamond concept, a fresh take on traditional prong settings. I'm so excited to explore new possibilities with rough and faceted diamonds including ruby and sapphire gemstones.
Material: 14k Solid Rose Gold
Finish: Polished with an antique finish.
Gemstone: 4.2ct Natural Rough Diamond
Gemstone Color: White/Light Silver Color
Ring Height: 8mm
Ring Length: 12.5mm
Bottom Band Width: 3.54mm
Tuesday, January 6, 2026
15 Years on Etsy... Now Growing Our Own Roots
Monday, January 5, 2026
The Riverbend Set: Nature’s Texture in Silver
Living here in the foothills of North Carolina, my inspiration often comes from simply looking down at the forest floor or walking along the creek. There is a quiet beauty in the way fallen twigs and branches weave together at the water's edge.
For this design, I wanted to capture that exact texture—the rough bark, the organic curves, and the strength of nature.
| Riverbend Sterling Silver Branch Earrings |
The Riverbend Earrings To complement the pendant, I designed these earrings to look like curved branches found along the riverbank. They have an open, hoop-like feel but with an organic, uneven silhouette that frames the face beautifully. They are cast in solid sterling silver but are designed to be lightweight enough for everyday wear.
As always, these are hand-finished right here in my studio in NC.
Sunday, January 4, 2026
Slowing Down for the Details: A Preview of What’s Next
I know we are approaching the season of hearts and chocolates, but this year, I have decided to step back from the Valentine’s Day rush. Instead of hurrying, I am taking a few extra weeks to truly immerse myself in the design process.
I believe that good things take time, and "perfect" takes a little longer. I am currently spending my days at the bench, fine-tuning the wax models for a brand-new release coming in late February. I want to make sure every curve of the branch and every gill under the mushroom caps is exactly right before they go to casting.
| The new Mushroom & Fern pendant, hand-carved and cast in solid Sterling Silver with a light oxidation finish to highlight the textures. |
First Look: The Mushroom & Fern Series I am particularly excited to introduce this first set. Nature is, as always, my guide, but these pieces feel a bit more like a storybook coming to life.
I’m starting with a new pendant where I’ve carved a cluster of tiny mushrooms sprouting along one side, balanced by a detailed fern frond on the other. It frames the stone like a hidden window into the forest floor. I’ve also designed matching earrings that feature those same mushrooms climbing up a textured branch.
Forest Floor Mushroom & Twig Pendant Necklace
The Twig & Branch Designs To complement the mushrooms, I’ve been refining a series of organic twig designs. These are all about the flow of the wood—the way vines and branches naturally weave to protect what they hold.
I am working on a few variations of this pendant. Some are intricate and woven, while others are cleaner and more open. I’ve also created a pair of simple, elegant twig earrings with a gentle curve that will be perfect for everyday wear.
| Matching organic branch earrings featuring tiny sprouting mushrooms, cast in Sterling Silver. |
The Finishing Touches When these are ready in late February, they will be cast in solid Sterling Silver. I plan to finish them with a light oxidation. This is my favorite way to bring organic jewelry to life—the darkness settles into the deep crevices of the bark texture and the details of the ferns, making the silver pop and revealing all the hard work I'm putting into these waxes right now.
Thank you for your patience while I refine these new creations. I can’t wait to show you the finished results!
Thursday, January 1, 2026
New Release: The Oxidized Twig Ring with 1.8ct Rough Diamond
Embracing the Forest
| Our newest one-of-a-kind creation: An oxidized sterling silver twig ring featuring a cast-in-place 1.8ct rough diamond, designed to perfectly match our signature pendant. |
| The design that started it all: Our signature oxidized silver twig pendant, the perfect companion to the new ring. |
Handcrafted in sterling silver with a rustic oxidized finish, the branch-like setting is cast directly around a stunning 1.8ct rough diamond. This unique "cast-in-place" technique ensures that the stone is securely cradled by the metal, making each ring truly unique.
| Behind the Scenes: Carving the Wax Model for the Cast-in-Place Ring |
Coming Soon!
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