The Back Matters: Because Art Flips

THE FRONT

Cleaned up and carrying the texture, flow, and movement of the design.

THE BACK

Before cleanup — waiting for the same attention it takes to make the front beautiful.

The Back Matters: Because Art Flips

A picture says a thousand words.
Sometimes, though, a picture makes you stop and ask a question.
As I was working on this new wax pendant, I had already spent a great deal of time sculpting the front. The flowing lines, texture, movement, and organic shape were beginning to feel right.
Then I turned it over.
Holy moly, that's ugly. 😂
Not because the pendant was wrong. The back simply hadn't received the attention the front had yet.
And that's when I started thinking about something I've understood for a very long time:
Art flips.
For more than 20 years, I've finished the backs of my pendants.
Why?
Because jewelry moves.
It twists.
It turns.
It shifts when you wear it.
At some point, the back is going to become the front.
And when that happens, I don't want someone wearing one of my pieces to see a flat piece of metal with a logo simply because that's traditionally what we do.
I want them to see art.

The Front...

The front of this pendant has already been cleaned up and refined.
The texture flows through the piece, creating movement rather than a perfectly predictable pattern. The raised areas catch the light, while the deeper grooves create shadow and dimension.
It's meant to feel organic.
It's meant to look as though the material itself created the movement.
This is the part most people will see first.
But it isn't the only part I care about.

The Back...

This photograph shows the back before I gave it the attention it needed.
It's rough.
It's unfinished.
And compared to the front, well...

Holy moly. 😂

But underneath that unfinished surface is the beginning of another piece of art.
The back doesn't need to be an exact copy of the front.
In fact, I don't want it to be.
It needs to have its own art.
It needs its own texture, movement, and character while still feeling like it belongs to the same piece.
Because if the pendant flips around, I don't want the story to stop.
I want it to tell another story.

Nature Doesn't Have a "Front" and "Back"

That's one of the things I love about working from nature.
A piece of driftwood doesn't have a side that nature decided was the beautiful side.
Every surface has something to say.
There are ridges, cracks, grain, weathering, and places where the wood has changed over time.
The texture continues around the piece because nature doesn't stop creating simply because we've turned something over.
That's what I try to translate into my jewelry.
I'm not trying to make the front beautiful and simply make the back functional.
I'm trying to make the entire piece feel alive.

Pieces of History, Inspiration for Today: The Driftwood Band

 

Pieces of History. Inspiration for Today.

The Driftwood Band is more than a piece of jewelry—it carries the character of the natural world that inspired it. After more than 20 years of working with organic forms, I still find that nature leaves the best fingerprints.

I've Been Making Men's Jewelry for 20 Years… Maybe It's Time to Pay Attention

I've been thinking.

That's usually when something interesting starts happening around here.

For more than 20 years, I've been carving jewelry inspired by the natural world. Leaves, branches, roots, vines, driftwood, coral—I've always been drawn to forms that look as though they grew instead of being designed.

And for just as long, I've been making pieces that men wear.

I've never really called it a men's collection.

I simply made what I wanted to make.

But lately, I'm beginning to wonder if I've been overlooking something that's been right in front of me all along.

The Driftwood Band

One of my long-time selling rings began with a real piece of driftwood.

Not a photograph.

Not a computer-generated texture.

Actual wood.

I studied the way it moved, the openings, the grain, the irregular shapes and the strength in something that had been weathered by nature.

Then I took that feeling into my wax.

The result became a ring that has continued to sell for years.

And it just sold again—in gold.

Interestingly, the most recent gold ring was purchased by a woman for her fiancé.

That made me smile.

Because maybe the customer isn't always looking for "men's jewelry."

Sometimes she's simply looking for something that feels like him.

And sometimes a man sees the organic ring his partner is wearing and says, "I like that. Do you have something that goes with hers?"

I love that idea.

Not matching rings.

Rings that belong together.

So I'm Paying Attention

I'm not interested in suddenly creating a huge men's jewelry department.

That's not how I work.

I'm thinking about a small group of pieces.

A few rings.

A pendant.

And perhaps a cuff.

(And if you've followed my work for any length of time, you know I'm no stranger to cuffs.)

My Ocean World cuffs were carried in Wyland Galleries for years, so creating a substantial organic cuff isn't new territory for me.

What's different is where my eye is today.

After more than two decades of carving, casting, experimenting and watching people live with my jewelry, I have a much better understanding of what happens when you let nature lead the design.

I Don't Want to Make "Men's Jewelry."

I want to make Dawn Vertrees jewelry that happens to be worn by men.

That's an important distinction to me.

I don't want to take my work and make it harder, heavier or more masculine just because someone says it is for a man.

I want to keep the things that have always made my work mine:

Organic form.

Texture.

Movement.

Strength.

Imperfection.

Nature.

And then see where those ideas take me.

Maybe that becomes a small men's collection.

Maybe it becomes something couples can discover together.

Maybe a woman finds a ring for her fiancé.

Maybe a man finds something that reminds him of the outdoors, the water, the woods or a place that means something to him.

I don't know yet.

And that's actually the fun part.

I'm going to start carving.

One piece at a time.

And we'll see what grows.

After all, that's how most of my jewelry begins.

Mother & Child Whale Tail Pendant | Hand Sculpted Sterling Silver Necklace

Mother & Child Whale Tail Pendant

A Story Carried by the Sea

Some designs begin with a sketch.

Others begin with a memory.

This pendant began with the quiet moment when a mother whale gently guides her calf through the endless ocean. There is no rush, no fear—only trust, protection, and an unspoken bond that has existed for millions of years.

As I sculpted this piece in wax, I wanted it to feel alive. Not perfectly symmetrical. Not rigid. Just flowing... as though the ocean itself had shaped every curve.

Inspired by the enduring bond between a mother whale and her calf, this hand-sculpted sterling silver pendant captures the beauty, strength, and graceful movement of the ocean.

🐳

Designed for everyday wear, the Mother & Child Whale Tail Pendant rests beautifully at the neckline, making it a meaningful reminder of love, family, and the sea.

Celebrate the bond between mother and child with this hand-sculpted sterling silver whale tail pendant. Inspired by the ocean and created one curve at a time by Dawn Vertrees.

A closer look at the front of the pendant reveals the flowing lines of the mother and calf, hand sculpted to create the natural movement and organic beauty found in nature.

 

I'm a '70s Wild Child... That's Me. Hi! 🌿

A handcrafted sterling silver ring inspired by the tiny flowers that have come to symbolize remembrance, enduring love, and cherished memories.

There are two things that have shaped my life more than anything else—nature and creating with my hands.

I'm a '70s wild child. I grew up loving the outdoors, wandering through the woods, noticing the little things most people walked right past. Twisted branches. Tiny woodland flowers. New buds after a spring rain. Those moments stayed with me.

That's me. Hi!

Forget Me Not Ring in sterling silver with a soft oxidized finish. Hand sculpted to capture the delicate beauty of woodland flowers and new spring buds.

I've never wanted my jewelry to look manufactured. I want it to feel like it grew there.

The Forget Me Not Ring is one of those pieces.

Instead of drawing a flower on paper, I sculpted every flower, bud, and branch in wax by hand. Each tiny blossom was shaped individually until it looked like a small bouquet gathered from the garden.

When the master was finished, it was carefully molded so this design can live on for years to come. Creating that mold is a one-time investment, allowing each future casting to faithfully reproduce the original sculpture while every ring is still individually finished by hand.

This sterling silver version weighs 12.558 grams, giving it a substantial feel without sacrificing comfort. After casting, every ring is cleaned, detailed, oxidized (if selected), and polished to bring out the depth of the flowers and bark textures.

When I finally slipped it on my finger, I laughed and said,

"If this ring were in gold, I'd be wearing it right now because it's so freaking cool."

The Forget Me Not Ring comes to life when worn. Hand sculpted in sterling silver with a soft oxidized finish, this woodland-inspired design was created to be worn and loved every day.

🎕

That pretty much says it all.

As artists, we spend countless hours wondering if others will love a piece. Sometimes, though, you create something that makes you smile every time you look at it.

This is one of those rings.

I hope that when someone wears it, they don't just see flowers.

I hope they remember a walk through the woods...

A favorite garden...

Someone they love...

Or simply that nature has a way of reminding us to slow down and notice the beauty that's been there all along.

A New Woodland Treasure is Taking Root 🌿

Woodland Weave Collection – Inspired by the Forest | Dawn Vertrees Jewelry

🎕

From Wax to Woodland Beauty: A New Ring is Taking Shape

Every creation begins with a visual in my mind. Once I can see it, I begin laying out the pieces. One by one, the vision becomes reality.

What you're seeing here is the beginning of my newest nature-inspired design.

These three wax views represent the foundation of the ring before it is transformed into precious metal. At this stage, every branch, every curve, and every bit of texture is carved by hand. This is where the personality of the piece is created.

Soon, this design will be cast in sterling silver, where those tiny details will come to life. An optional oxidized finish will gently darken the recessed areas, highlighting the bark-like texture and giving the branches added depth and character while allowing the raised surfaces to shine.

At the center of the design will be a 10 × 8 mm oval Moss Agate cabochon—a gemstone that reminds me of a quiet forest floor, with natural patterns that look like tiny landscapes captured within the stone. No two Moss Agates are ever exactly alike, making each ring truly one of a kind.

Creating depth, just as nature intended.
Every branch was hand sculpted in wax before becoming a sterling silver ring inspired by the forest.

Every cut creates another layer of depth. The hand-carving process gives each branch the natural character that will later be revealed in sterling silver with an optional oxidized finish.

From above, the flowing branches gently embrace the moss agate, allowing the natural beauty of the stone to remain the centerpiece of the design.

🌳

I love sharing this part of the process because it allows you to watch a piece evolve from an idea into wearable art. Before the silver is poured, before the stone is set, and before the final polish, there is simply a vision... and a piece of wax waiting to become something beautiful.

The next time you see this ring, it will have completed its transformation into sterling silver, ready to cradle its Moss Agate centerpiece.

I can't wait to share the finished piece with you.

Nature Designs the Prongs

"Only one hour into carving, and the branches are already finding their way around the Moss Agate. Nature has a beautiful way of designing the prongs. 🌿✨"

Nature Designs the Prongs...

Sometimes the best jewelry designs don't begin with a drawing—they begin with listening to nature.

Today, only one hour into carving this new ring in blue wax, the design is already beginning to tell its own story. Rather than forcing traditional prongs around the gemstone, I allowed the branches to grow naturally, wrapping around a 10 x 8 mm oval Moss Agate cabochon as though the stone had always belonged there.

The beauty of working in wax is that every curve can evolve organically. One branch becomes two. A gentle twist becomes the beginning of a tree. Before long, the prongs disappear, replaced by something that feels alive.

There are still many hours of carving ahead before the bark texture, flowing lines, and final details emerge, but this early stage is often my favorite. It's the moment when an idea first takes root.

Sometimes, nature designs the prongs better than we ever could.

Materials

• Sterling Silver
• Oxidized Finish
• 10 × 8 mm Oval Moss Agate Cabochon
• Hand carved in wax using the lost wax casting process

 

The Floating Diamond Bridal Set Grows: Sculpting the Companion Ring in Wax

Every bridal set begins with a vision. Today, that vision grows as the companion wedding band is sculpted by hand in wax. Designed to flow naturally around the floating diamond engagement ring, each twig is carefully shaped to look as though it grew together in nature—creating a bridal set that celebrates love, craftsmanship, and the beauty of the forest.

💚

Every collection has its quiet moments of growth. Today, I’m sharing the next chapter in the Floating Diamond Collection—the companion ring that completes the story.

Nature’s Continuing Embrace

The original Floating Diamond ring asks the eye to linger on the stone gently lifted by two sculpted leaves. This matching band (or second engagement option in the set) weaves the narrative further. Twigs flow organically around the finger while additional leaves rise to support and frame the design, creating a harmonious set that feels like it grew together.

In the wax stage shown here, you can see the hand-sculpted details: the flowing band with bark-like texture, the varied leaves that echo the engagement ring, and the way the structure cradles the diamond with lightness rather than heavy prongs.

From Wax to 14k Rose Gold

In about two weeks, this wax model will be cast in 14k rose gold. I envision a light oxidation to highlight the organic textures—the bark will catch subtle depth, while the polished leaves and diamond will shine in contrast. The warm rose tones will beautifully complement the green-to-purple hues often seen in the wax, bringing the piece fully to life.

The Full Set Vision

Worn together, the engagement ring and companion create a cohesive woodland-inspired bridal set. Each element supports the other, much like branches and leaves in nature. This design is ideal for those seeking something unique, meaningful, and free from traditional prong-heavy settings.

I’ll share casting updates, the finished metal version, and more process photos as this piece moves forward. Custom options are available—reach out if you’d like your own variation with different stones or details.

— Dawn

Introducing the Floating Diamond Collection: Where Nature Lifts Light

Introducing the Floating Diamond Collection: Where Nature Lifts Light

 

Introducing the Floating Diamond Collection

Where Nature Lifts Light

For years, I have created nature-inspired jewelry featuring twigs, leaves, vines, and gemstones sculpted entirely by hand in wax.

Many of my designs begin the same way—with a simple question.

This collection began with one:

How can a diamond appear to float between two leaves?

As the jewelry world evolves, more people are discovering the beauty of lab-grown diamonds and gemstones. I wanted to create a design that embraced this new chapter while remaining true to the artistic style that has defined my work for years.

The result is the Floating Diamond Collection.

This ring features a diamond gently lifted and supported by two sculpted leaves emerging from a natural twig band. Rather than relying on traditional prongs as the visual focus, the leaves become part of the story—offering and protecting the gemstone while creating the illusion that it is suspended between them.

Every detail began as a hand-carved wax model. The bark texture, the shape of the leaves, and the flowing lines of the band were sculpted one cut at a time, allowing the design to grow naturally rather than forcing it into perfect symmetry.

Nature rarely grows in straight lines.

A branch twists.
A leaf bends.
A vine follows its own path.

I believe jewelry should do the same.

The Floating Diamond Collection combines the beauty of nature-inspired design with the brilliance of modern gemstones, creating pieces that feel as though they have grown around the stone rather than simply holding it in place.

This photograph shows the ring resting on a jeweler's mandrel—a fitting reminder that every finished piece begins at the workbench, where an idea slowly takes shape in wax before becoming jewelry.

This is the beginning of a new collection.

And like every collection before it, it begins with a sketch, a carving tool, and a love of nature.

Welcome to the Floating Diamond Collection.  — Dawn

New Forest Collection: The Matching Wedding Band Story

 

When It becomes Something More...

Sometimes a custom design reaches a point where everything suddenly makes sense.

This wedding band began as a challenge: create a ring that matched a previously commissioned engagement ring featuring a Blue Sapphire in 14k Rose Gold with a medium oxidation finish — but without simply copying the original design.

The engagement ring carried a very organic, woodland flow with curved branch structures wrapping and lifting the sapphire almost like it was being offered upward. The side profile had movement, growth, and softness to it. 

But this ring needed a different presence.

Instead of designing the wedding band completely from scratch, I decided to work almost genetically.

New Forest emerald engagement ring set in flowing organic branches
with matching nested wedding band in warm rose gold.

Because I made the molds from both of my original rings, I began borrowing structural elements directly from the engagement ring and wedding band. I used the side architecture from the engagement ring as the foundation for this band, then combined and blended two wedding bands together to create a broader, stronger flow.

New Forest matching wedding band in rose gold featuring intertwined
flowing branch textures inspired by natural woodland forms.

The result became less about creating “matching rings” and more about creating two rings that clearly belong to the same story.

One of the most important parts of the process was preserving the organic language of the original design while shifting the overall movement into a more masculine direction. Instead of delicate upward movement, the branches became more grounded and structured. The lines were straightened slightly, spacing adjusted, and the overall posture of the ring changed without losing the feeling of natural growth.

Since this ring would not contain a stone, additional twig structures were added to blend the transitions together and create continuity across the surface of the band itself.

The medium oxidation in the 14k Rose Gold will help unify everything in the final cast by darkening the recesses and emphasizing the bark-like texture and depth between the branches.

These are the moments I love most as a designer.

The quiet early-morning hours where the pieces stop feeling separate and suddenly become one complete idea.

Not duplicated. Not copied. But connected.

That is always the goal.

To create jewelry that feels like it grew naturally into existence.

— New Forest

Oakwood Twig Collection Sketch Designs

Oakwood Twig Collection Sketch Designs

The Oakwood Twig Collection

The Oakwood Twig Collection begins here—where nature wraps, lifts, and offers each piece like a gift.

You don’t design in straight lines—and this collection doesn’t either.

It grew the same way branches do—naturally, without force, each curve finding its place. Every twig wraps with intention, every leaf settles where it belongs, and every detail is built to feel like it was always meant to be there.

These pieces aren’t just inspired by nature…
They’re guided by it.

---

Where It Began

The rings are where this collection first took root.

Twigs wrap around the band like growing branches, forming structure without feeling rigid. Oak leaves layer gently into the design, creating a sense of protection and movement at the same time.

Crafted in sterling silver with 14K rose gold leaves, finished with soft oxidation in the recesses and a gentle polish, these pieces balance contrast and warmth in a way that feels natural and effortless.

---

The Collection Grows

From there, the collection began to expand.

A sterling silver pendant lifts and presents a moss agate stone, wrapped in flowing twig forms and accented with oak leaves—never held tightly, always offered.

The earrings carry that same movement—light, organic, and alive—formed from oxidized sterling silver branches with oak leaves and acorns that feel as if they’ve grown into place.

---

A Natural Pairing

The collection also moves into more personal pieces.

A solitaire engagement ring with a 1ct round diamond pairs with a coordinating oak leaf band, bringing structure and symbolism together. The design allows the stone to feel lifted and presented, while the band continues the language of natural growth.

---

Still Growing

This collection is not finished—and it’s not meant to be.

Some pieces will remain simple and quiet. Others will grow more detailed and layered. But every design will follow the same path—guided by nature, shaped with intention, and created to be felt as much as seen.

These pieces already exist—just not in metal yet.
They’ve taken shape here first.

And I can’t wait to show you what they become.

Three Mushrooms, One Journey

 

Three Mushrooms, One Journey

  

Beneath the surface, where life quietly forms, three mushrooms rise.

The Explorer. The Watcher. The Newcomer.

Each one carries a different moment in the same journey.

Where the Story Begins

A single branch rises, holding three lives at different stages.

This ring wasn’t designed—it grew.
The branches formed first, and the mushrooms followed, each finding its place naturally within the structure.

Three Paths, One Form

Three forms, each moving in its own direction.

If you look closely, no two mushrooms move the same way.

One reaches outward, one remains still, and one is just beginning to emerge.

The Explorer

The Explorer leans away from the others—drawn outward.

It represents the part of us that moves forward without certainty…

simply because something inside says go.

The Watcher

The Watcher stands steady at the center.

Not everything needs to move to grow.
Some things deepen by simply being present.

The Newcomer

Held by the forest

The branches wrap and support each form, not forcing direction—only holding space.

Every line, every texture was left intentionally, so when oxidation settles in, the depth reveals itself—just like bark on a tree.

This piece isn’t just worn… it’s felt.

The Explorer, The Watcher & The Newcomer: A Mushroom Ring in Wax

This piece marks the beginning of something growing.

Not just a design, but a collection shaped by quiet moments in nature — where mushrooms rise, unseen, weaving life beneath the surface.

The Explorer, The Watcher, and The Newcomer are not just forms… they are stages of presence. Each one created in wax, guided by instinct, and brought to life in metal to be felt, not just worn.

These are not finished pieces.

They are thoughts.
Moments.
Decisions still being made.

Every curve is still alive… still changing.

The Newcomer begins to take shape in wax,
rising alongside the Explorer and the Watcher.

The Explorer, the Watcher, and the Newcomer rise together
—three forms growing from the same root in wax.

There are three.

Not placed. Not planned.

They found their way there… the way things in nature always do.

They grew between the twigs.

The first is the Explorer.

It reaches outward, leaning just a little further than the others.

Curious. Unafraid.

It doesn’t follow the line of the band—it follows something unseen.

The Explorer is movement.

The part of us that steps forward without knowing what comes next.

---

The second is the Watcher.

It stays close, slightly tucked into the protection of the twigs.

Not hidden—just aware.

It sees everything.

The Watcher is stillness.

The quiet understanding that not everything needs to be rushed.

---

And then… there is the Newcomer.

Smaller. Softer.

Just beginning to take its place among the others.

It hasn’t decided what it will become yet.

The Newcomer is possibility.

The beginning of something not yet defined.

---

They do not compete.

They grow together.

Each one shaped by the same roots…

but each one becoming something entirely its own.

---

The twigs are not just structure.

They are the forest.

The path.

The support.

They twist, split, and open—

creating the space where life emerges.

---

This ring is not about perfection.

It is about growth.

About where you’ve been…

where you stand…

and what is just beginning.

---

Three mushrooms.

Three personalities.

One story.