| Grown from quiet places—where the forest holds its breath and life begins again. |
Friday, April 3, 2026
Forest Forms: Mushroom Earrings in Motion
Friday, March 6, 2026
“Roots & Origins” Collection: When a Tree Helped Me Finish a Ring
| The first vision of the design — branches lifting the diamond as if offering it to the light. |
In my previous post I shared the beginning of this ring design and the early stages of the wax sculpture.
But like many handmade pieces, there comes a moment when the design pauses. The diamond and the branches that would lift it were already forming, but when I reached the base of the ring, I couldn’t clearly see how it wanted to grow.
So I stepped away from the bench and went outside.
In the yard is a small Japanese maple tree. As I looked closely at the trunk and the way the branches move and divide, the answer suddenly appeared.
The twisting trunk showed me the movement for the base of the ring.
The branches showed me how the structure could naturally rise and support the stone.
Nature had already solved the problem.
Years ago when I lived in Florida, banyan trees first inspired my Leaf & Twig designs. Their roots and branches showed me how nature supports life and weight without forcing it.
This time, a Japanese maple helped finish the idea.
Sometimes the best design teacher is simply looking at the world around us.
Tuesday, March 3, 2026
Held by the Twig Weave
| Twig Weave rough diamond ring and pendant in sterling silver — organically formed twigs cradling ethically sourced Canadian rough diamonds. |
Twig Weave is a continuation of that story.
Each piece cradles a natural, ethically sourced rough diamond from the Canadian mines — untouched, unpolished, and radiant in its raw truth. The ring holds an approximate 1.8ct rough diamond, while the pendant carries approximately 1.6ct. No two stones are ever alike. Each one forms its own presence within the weave.
The twigs are not prongs.
They are protectors.
They wrap and rise as though they have grown around something precious, holding the diamond in place the way nature would — gently, intentionally, organically.
The necklace has become one of our most loved designs in Sterling Silver and Gold. The ring is a new addition to the Twig Weave story, available in Sterling Silver and 14k Gold, made to order and crafted in your exact size.
These are one-of-a-kind pieces.
Raw. Rooted. Alive.
If one speaks to you, let it find you.
Monday, February 2, 2026
Nature’s Blueprint: Sculpting the Larimar Ring Through the Storm
| Original hand-drawn blueprint for the custom Larimar ring, featuring the signature "DV" initials and climbing vine motif. |
The Journey of a Custom Design
Every piece I create begins long before I touch the wax. It starts with a conversation. I believe that jewelry should be as unique as the person wearing it, so we begin by discussing your vision—the flow, the textures, and the story you want the piece to tell.
Phase 1: The Design
Once we have the design figured out through our collaboration, the "blueprint" is set. Because I work as an artist rather than a traditional jeweler, I’m looking for a design that feels alive and organic, moving away from mass-produced looks and rigid prongs.
Phase 2: Selecting the Soul
With the design finalized, we move on to finding the right gemstone. This is one of my favorite parts to share with a client. For a recent custom Larimar ring, I presented these three options:
Stone A, B, and C
By seeing the stones side-by-side on a clean palette, you can see the different "landscapes" within the Larimar. Whether you prefer a soft, misty blue or a deep, tidal pattern, this choice ensures the heart of the ring is exactly what you envisioned.
Establishing the "Riverbend" texture on the purple wax base using a constant-heat tool set at 450°.
The Foundation of the Bezel
With the stone selected, I moved into the most critical phase—creating the base ring and the bezel that will eventually secure this treasure.
| A look at the scale of the first hand-carved signature leaf against the 6.2mm Larimar setting. |
Sculpting with Heat
Using my constant-heat tool set to 450°, I began the meticulous process of shaping the purple wax on the mandrel. This isn't just a standard setting; it’s a hand-sculpted bezel to hold the Larimar gemstone.
You can see in the latest studio shots how the heat tool allows for pinpoint accuracy as I build up the "Riverbend" texture around the stone's seat. This high-temperature stability is what allows me to create such delicate, bark-like ridges that remain structurally sound for the final casting.
The Blueprint of Nature
As I work, I keep my original sketch close by. It serves as my map, reminding me where the signature leaves will sprout and how the vines will eventually climb to meet the bezel. Even at this early stage, the ring is no longer just wax—it's the beginning of a wearable forest.
| Refining the winding vines as they climb from the textured band toward the Larimar bezel. |
Final Phase: Prepping for the Caster
Now that the base, the bezel, and the intricate vine-work are nearing completion, the final step of the carving process is the official "DV" signature. Once that is carved into the wax, I will begin the prep work to send the model to my master jeweler for casting.
This preparation is vital to ensure that every organic detail—from the 450° heat-textured bark to the veins in the leaves—is captured perfectly when the purple wax is transformed into solid gold.
To be continued...
Tuesday, December 23, 2025
Nature's Embrace: The Twig Weave Collection
| Hand-sculpted sterling silver Twig Weave Earrings inspired by organic forms, natural textures, and flowing woodland design. |
| Hand-sculpted sterling silver Twig Weave Earrings inspired by organic forms, natural textures, and flowing woodland design. |
| Twig Weave Earrings — hand-sculpted in sterling silver, inspired by nature’s quiet rhythm and the beauty of organic growth. |
Monday, November 17, 2025
Where a New Piece Begins
It's usually right here...
It could be just staring at my mandrel visualizing what's in my head or sitting in my living room with a cup of coffee and a sketchpad.
I’ve started a new Studio Story series about how this design grows from sketch to wax to final piece. You can read the first chapter here.
When I start a new piece, it never feels like I’m making something.
It feels like something is growing in my hands.
I work in soft jeweler’s wax — that deep blue-purple wax that gives just enough resistance to feel alive. When my tools touch it, the curves don’t feel carved… they feel grown. Roots begin to twist. A branch finds its direction. A leaf decides where it wants to live.
And if I’m holding a stone, the wax grows differently.
I don’t usually design a setting.
I let the twigs and leaves grow toward the stone, around it, sometimes lifting it.
As if the stone is a gift the piece is offering — a tiny present for whoever will wear it.
That moment — when the wax stops being wax and starts being alive — that’s the part I love the most. It’s where everything begins.
🍃
This blog isn’t going to be a tutorial.
It’s simply a look inside my studio: the sketches, the wax shavings, the experiments, the little frustrations, the surprises, the tools I return to again and again.
I’m dyslexic, so I speak best through my hands, my sketches, and my photos.
Think of this space as my visual journal — a trail of moments from the bench.
Welcome to my studio.
Let’s grow something together.




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